The Indigenization of Breakdance Aesthetics in Uganda | Hip Hop African Podcast

In this episode, we speak with Dr. Alfdaniels Mabingo who wrote a fascinating article on breakdance in Uganda for the Journal of African Cultural Studies.


Uganda has one of the largest breakdance scenes in the world, and Mabingo examines how the youth have reconfigured, localized, and re-interpreted breakdance aesthetics in that country. He argues that as breakdance spread, and youth innovated the art form, breakdance became part of Ugandan culture. In this sense, breakdance is no longer just a Western import, but Ugandans have evolved a breakdance into a Ugandan art form.

The central thesis of Mabingo's article is to show how Ugandans have been able to localize breakdance and make it their own. He also talks about his research methods and his interest in what he refers to as “the jua cali theory”, which is about taking the imported and the local and repurposing them to create something new.


Dr. Msia Clark

Dr. Msia Kibona Clark is an Associate Professor in the African Studies Department at Howard University. Her research explores themes such as hip-hop in Africa, African feminism‌ and the influence of social movements on cultural production. Msia has published several articles, book chapters‌ and reviews in academic journals and popular media outlets. Her book, “Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers,” has been widely acclaimed and has gained recognition for its groundbreaking analysis of hip-hop in Africa. Her work not only sheds light on rich and diverse African hip-hop communities, but also addresses critical social issues. Her recent book, “African Women in Digital Spaces explores the use of social media for advocacy by women across Africa and the diaspora. In addition to her academic pursuits, she has curated exhibitions on African culture and photography and is the host of “The Hip Hop African Podcast.”

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